"Modernist discourse [...] incorporates semantic devices - such as the labeling of theism as 'religion' and naturalism as 'science' - that work to prevent a dangerous debate over fundamental assumptions from breaking out in the open."

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If I indulge myself and surrender to memory, I can still feel the knot of excitement that gripped me as I turned the corner into Rue Mimosas, looking for the house of Rene Magritte. It was August, 1965. I was 33 years old and about to meet the man whose profound and witty surrealist paintings had contradicted my assumptions about photography.

— Duane Michals